The Möller Organ
Installed as Opus 11682 of the M.P. Möller Organ Company of Hagerstown, MD, in 1985, the cathedral’s pipe organ is the result of the generosity of many donors from the parish and across the Diocese of Birmingham. Consisting of four manuals and 55 ranks of pipes, its design, featuring Möller's largest free-standing case, is enhanced by the cathedral’s wonderful acoustics. One of Möller’s later works, it is unique in that even though it is clearly of 20th Century design, it incorporates some characteristics of Baroque organs (the organ is fully encased and divisions are discrete in therein, each division has a complete principal chorus, wind pressures are low) that are rare in Möller’s oeuvre. A product of collaboration by music director Stephan Calvert, consultant Joe Schreiber, and voiced by Donald Gillett, the former principal and tonal director of the Aeolian-Skinner firm, it plays most of the organ repertoire with authority. As is typical of the “American Classic” style, a French accent (present in the chorus reed stops as well as the Great Harmonic Flute and “fonds d’orgue”) is balanced by more German elements (an incisive Positif, most flute stops, and complete choruses in clear contrast to each other). A chancel division in a portable, free-standing case was installed at the same time (playable from the gallery console or its own keyboards), but was sold in the late 1990’s or early 2000’s during the tenure of the late Calvert Shenk. Otherwise, the organ is unchanged since its installation. Visit its entry in the OHS Database for more information.
As the Möller organ passes its 30th birthday, it is in severe need of a complete rebuilding. Recent years have manifested a number of serious flaws in the pipework (weak zinc alloys that effect nearly 1/2 of the pipes in the organ, causing speech problems and failure), control system (1930's technology which relies on pneumatic pouches, for which leather is rapidly failing), layout (the original design does not even permit tuning access to a sizeable part of the instrument), and tonal design (Möller's on-site voicing was insufficient and is further compromised by the failing zinc languids). Many of these flaws could not be predicted at the time of installation, but are nonetheless expensive (to the tune of hundreds of thousands of dollars) to correct. If you or someone you know is interested in making a donation toward the restoration of this magnificent instrument, please contact the Director of Music, Bruce Ludwick, Jr., at firstname.lastname@example.org or 205.251.1279×107 for more information. A donation to a project such as this is a perfect way to give glory to God and memorialize or pay tribute to a loved one, helping their memory "sing on" for years to come.